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Omar
Walking Bear Productions Present:Omar Lady Alma, DJ Junior, Hosted by Wes Felton, Eavesdrop Radio / WKDU
Aug 18 2019 · SunDoors: 6:30 pm / Show: 7:00 pm
The Ardmore Music Hall
$30 Advance / $35 Day of Show / $49 Seated
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Omar
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Omar first came to prominence more than 2 decades ago, when his debut single for indie label Kongo Dance Mr. Postman/You And Me made him a hot name on London’s underground. It was soon afterwards that the success of his Ohio Players-influenced
love ballad, the much celebrated There’s Nothing Like This, led to his signing to Gilles Peterson’s Talkin’ Loud label. Omar released a couple of albums for the Phonogram affiliate during 1992/3, the first a re-working of his Kongo set for the wider audience,
the second, Music, a vastly more orchestral and organic affair that highlighted Omar’s maturing as a composer, arranger and vocalist.
Thereafter Omar signed to RCA, for whom he cut two further albums that notched up acres of critical acclaim as well as introduced him to several of his musical heroes and
heroines. On 1994’s For Pleasure, the set that includes such Omar signature songs as Saturday, Outside and the Erykah Badu favourite Little Boy, he worked alongside the
legendary former Motown producers Leon Ware and Lamont Dozier. On ‘97’s This Is Not A Love Song, largely a collaboration with LA-based producer David Frank, he did a great cover of The Stranglers’ Golden Brown and got to sing with one of his all-
time favourite vocalists, Syreeta Wright on two songs, including the sumptuous slowie Lullaby.
By 2000, Omar had moved on again, this time signing up with hip French imprint Naïve Records. The following year, now well established as the leading icon of the UK’s resurgent soul movement, Omar released his fifth album, Best By Far, a self-
produced set on which he allowed his interest in cinematic soundtracks and jazz to rise to the surface. Once again, the star names turned out: on the album version of
Be Thankful, a re-cut of the William DeVaughn seventies soul hit, it’s Erykah Badu who came good on her promise to work with our man. [On the version released as a single, it was Angie Stone on co-lead.] Meanwhile recent MOBO winner Kele Le Roc
supplied the strident lead on the anthemic groove Come On, also a single edit.
A former principal percussionist of the Kent Youth Orchestra and later graduate of the Guildhall School Of Music in London, Omar has now been making music for more than 21 years. And while it would be true to say that during that time the high quality of his work has not really been reflected by number of pop hit
singles he’s enjoyed, there’s certainly no sign of his
being discouraged. Quite the contrary in fact: with Sing
[If You Want It], Omar is just embarking on a new
phase of his career, one that’s designed to bring him
directly to a wider public than ever before.
“I’m enjoying life so much right now,” he says. “I play with great bands, there’s always new music to make, new styles to blend, new people to reach... man, I went to Sainsbury’s the other day and it felt like I’d been on Crimewatch or something, the
amount of people looking over and coming up to shake my hand. It really feels like a new beginning for me.”
Omar’s 7th studio album ‘The Man’ (Freestyle Records) was released on June 24th 2013, and received fantastic support from BBC radios’ Gilles Peterson, Trevor Nelson, Benji B, as well as Jazz FMs’ Chris Philips and peter Young and has garnered some of the most glowing accolades of his entire career.
Omar returns with a brand new album that many say is without doubt the strongest of his entire career. The buzz generated by the single release of the album's title
track, The Man, confirmed beyond doubt that Omar is very much at the top of his game, with everyone from BBC 6 Music's Gilles Peterson, BBC Radio 2's Trevor
Nelson and Jamie Cullum giving both major support and high praise for the simply magnificent new high point for Omar's renowned ability to write devastatingly catchy
melodies. Across the rest of this new album, opener Simplify sets the template, with its luscious
and majestic string backed introduction raising the curtain on this deep, hard grooving
number. Omar also joins forces with Germany's Hidden Jazz Quartett on High Heels - growling organ spars with the tough, jagged drumbeat on this tough, funk driven collaboration. Elsewhere, latin textures and rhythms have always been part of Omar's far reaching musical vocabulary, and on Come On Speak To Me and Ordinary Day restless south American beats underpin the crisp and fresh melodies.
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Lady Alma
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Lady Alma's fans run the gamut - from progressive artists like Moby, Kindred the Family Soul, India.Arie, Joan Osborne, Musiq and Les Nubians to regular working-class folk in West London clubs and West Philly barber shops. In cities everywhere from Atlanta and Amsterdam to Toronto and Tokyo, vocal sensation Alma Horton -- known to her fans worldwide as LADY ALMA - has become the name to know, deemed "the heart & soul of Philadelphia's soul scene" and heralded as "the truth in a roomful of lies" among tastemaker's circles.
DJ Junior
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Hosted by Wes Felton
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American singer, songwriter, producer, poet, actor, emcee. Son of Hilton Felton
tfly_artist_bio_links();Venue Information:The Ardmore Music Hall23 East Lancaster AveArdmore, PA, 19003http://www.ardmoremusic.com
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Lady Alma 'It's House Music' (Feel It Mix)
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