David Keplinger and Joe Fletcher discuss their new poetry collections
About David Keplinger and Another City:
A rich portrait of the seemingly incommunicable expanses between people, places, and ideas—and the ability of a poem to transcend the void.
The poems of Another City tra vel inward and outward at once: into moments of self-reproach and grace, and to those of disassociation and belonging. From experiences defined by an urban landscape—a thwarted customer at the door of a shuttered bookstore in Crete, a chance encounter with a might-have-been lover in Copenhagen—to the streets themselves, where “an alley was a comma in the agony’s grammar,” in David Keplinger’s hands startling images collide and mingle like bodies on a busy thoroughfare.Yet Another City deftly spans not only the physical space of global cities, but more intangible and intimate distances: between birth and death, father and son, past and present, metaphor and reality. In these poems, our entry into the world is when “the wound, called loneliness, / opens,” and our voyage out of it is through a foreign but not entirely unfamiliar constellations of cities: Cherbourg, Manila, Port-au-Prince.
A moving, haunting atlas to worlds both interior and exterior.
David Keplinger David Keplinger is the author of five collections of poetry, most recently Another City (Milkweed, 2018), The Most Natural Thing(New Issues, 2013) and The Prayers of Others (New Issues, 2006) , which won the Colorado Book Award. His first collection, The Rose Inside, was chosen by the poet Mary Oliver for the 1999 T.S. Eliot Prize. Keplinger has been awarded two fellowships from the National Endowment for the Arts, as well as funding from the DC Council on the Arts and Humanities, the Pennsylvania Council on the Arts, the Danish Council on the Arts, and a two year Soros Foundation fellowship. In 2011 he produced By and By, an album of eleven songs based on the poetry of his great-great grandfather, a Civil War veteran. His translations of Danish poet Carsten René Nielsen have appeared in two volumes, World Cut Out with Crooked Scissors (2007) and House Inspections (2011), a Lannan Translations Selection, and his collaboration with German poet, Jan Wagner, entitled The Art of Topiary was published in 2017 by Milkweed Editions.
About Joe Fletcher and The Hatch
Help us celebrate the launch of Joe Fletcher's newest collection of poetry!
“I will do such things,” King Lear shouts before the storm, “What they are, yet I know not: but they shall be / The terrors of the earth.”
Drawing upon Edmund Burke’s definition of the sublime—the odd beauty associated with fear and self-preservation; our astonished delight in what destroys, what overpowers and compels us toward darkness—these strange poems mine the sinister fault lines between weird fiction, expressionism, gothic horror, and notions of the absurd, cracking the mundane shell of our given metaphysical order. In the traditions of Nerval, Trakl, Schulz, Tadić, Poe, and contemporaries Aase Berg and Jeff VanderMeer, the wonderful disassociation brought to bear on the reader lies in the conjuring of unprecedented worlds, their myths and logics, their visions and transformations—worlds that resist interpretation almost successfully, and reveal to us the uncanny and nightmarish.
Joe Fletcher is the author of two chapbooks of poetry: Already It Is Dusk (Brooklyn Arts Press) and Sleigh Ride (Factory Hollow Press). Other work can be found in jubilat, Octopus, Slope, Puerto Del Sol, Gulf Coast, Painted Bride Quarterly, and online at joefletcherpoetry.com. He teaches literature and writing at the University of North Carolina and in the North Carolina prison system, and he is the Managing Editor of the William Blake Archive.
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